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| no: 696-03
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Press kit - Press release - Red Flag,a group of contemporary Chinese artworks from Montreal collections - Montreal Museum of Fine Arts (MMFA)

Red Flag, a group of contemporary Chinese artworks from Montreal collections

Montreal, Canada

Montreal Museum of Fine Arts (MMFA)

A new exhibition in the contemporary arts square


Montreal, Canada, 2011-03-01 - In connection with the exhibition The Warrior Emperor and China’s Terracotta Army, the Museum presents, from March 3 to June 19, 2011, a group of contemporary Chinese artworks from Montreal collections, including its own, which includes a recent gift for the Museum’s 150th anniversary from J.-Serge Sasseville, to whom the Museum extends its thanks. Red Flag, Contemporary Chinese Art in Montreal Collection is the first exhibition by a Quebec museum devoted to the recent explosion of Chinese art, which constitutes one of the most remarkable phenomenons on the global art scene in the past ten years. The admission to the exhibition is free at all times.

Contemporary art in China, repressed during the 1990s in the wake of the events in Tiananmen Square, has since blossomed in an unprecedented manner – demographically, aesthetically and commercially. The art boom is on the usual inordinate Chinese scale. Where there were scarcely any art galleries in China at the end of the twentieth century, today there are more than three thousand of them. Beijing’s 798 Space alone houses three hundred galleries. In 2001, there was only one Chinese on the list of the world’s top 100 visual artists; in 2009 there were twenty-five…

In recent years, several distinguished Chinese works have been purchased by Montreal collectors, while the Museum has acquired a few important pieces by some of the greatest living Chinese artists, including Ai Weiwei, Zhang Huan and the Gao brothers. By the latter, superstars among their contemporaries, the Museum has just acquired two outstanding photographs: TV No. 6 (2000), which was offered by J.-Serge Sasseville, and Wake (2000), from the series “Sense of Space.”

In their series “The TV,” the Gao brothers take a cold and caustic look at the role of television, recently introduced and under the control of the State, in the transmission of information within the country. TV No. 6, the final work in the series, has a powerful symbolic coefficient. It shows one of the artists, Zhen, sitting naked on a television set and holding an open newspaper. Informed by reading the paper, the headlines of which refer to events that took place under the regime of Mao Zedong, he is gazing upwards with a heartbroken expression on his face. The television is on, but all that can be seen is a blank screen.

Living in China but admired and collected mainly in the West, the Gao brothers deliberately address their works to their Western public, intending their art to serve as a window on the state of their society. The photographs in the “Sense of Space” series – Waiting, Prayer, Anxiety, Wake and Listening – depict the different psychological states into which the accelerated urbanization of Chinese society is plunging the population. In these scenes, the cramped space, the nudity, the silence, the absence of any cultural or historical marker except for the rag doll, the last remnant of a vanished childhood, all convey a picture of a paradoxically brutal yet vulnerable China. Stéphane Aquin, Curator of Contemporary Art at the Montreal Museum of Fine Arts, is in charge of the presentation of Red Flag.  
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Press kit | 696-03 - Press release | Red Flag,a group of contemporary Chinese artworks from Montreal collections - Montreal Museum of Fine Arts (MMFA) - Event + Exhibition - TV no 6, 2000<br>Épreuve à développement chromogène, édition de 10<br>149,7 x 109,8 cm<br>Don de Mes J. Serge Sasseville et François Dell'Aniello en l'honneur du 150e anniversaire du Musée des beaux-arts de Montréal<br>Inv. 2010.854 (DRA.013) - Photo credit: Frères Gao<br>Zhen Gao – Né à Jinan (Chine) en 1956<br>Qiang Gao – Né à Jinan (Chine) en 1962<br>
TV no 6, 2000
Épreuve à développement chromogène, édition de 10
149,7 x 109,8 cm
Don de Mes J. Serge Sasseville et François Dell'Aniello en l'honneur du 150e anniversaire du Musée des beaux-arts de Montréal
Inv. 2010.854 (DRA.013)
Photo credit: Frères Gao
Zhen Gao – Né à Jinan (Chine) en 1956
Qiang Gao – Né à Jinan (Chine) en 1962
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Press kit | 696-03 - Press release | Red Flag,a group of contemporary Chinese artworks from Montreal collections - Montreal Museum of Fine Arts (MMFA) - Event + Exhibition - Impression d’espace – Veille, 2000<br>Épreuve à développement chromogène<br>115,5 x 145,5 cm (à vue)<br>Achat, fonds de la Campagne du Musée 1988-1993<br>Inv. 2010.855 - Photo credit: Frères Gao<br>Zhen Gao – Né à Jinan (Chine) en 1956<br>Qiang Gao – Né à Jinan (Chine) en 1962
Impression d’espace – Veille, 2000
Épreuve à développement chromogène
115,5 x 145,5 cm (à vue)
Achat, fonds de la Campagne du Musée 1988-1993
Inv. 2010.855
Photo credit: Frères Gao
Zhen Gao – Né à Jinan (Chine) en 1956
Qiang Gao – Né à Jinan (Chine) en 1962
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8.33 x 6.5
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Press kit | 696-03 - Press release | Red Flag,a group of contemporary Chinese artworks from Montreal collections - Montreal Museum of Fine Arts (MMFA) - Event + Exhibition - Fauteuil « Fake », 2007<br>Bois teint et vernis, feuille d'or, fragments de sacs à main (cuir, vinyle, coton, Ultrasuède, polyester et velours de polyester, chaînes, fermoirs et anneaux en métal chromé, anneaux en métal laqué, laiton)<br>Édité par XYZ Design, Shanghaï<br>94,8 x 76,5 x 77,3 cm<br>Achat, fonds de la Campagne du Musée 1988-1993<br>Inv. 2009.10.1-2 - Photo credit: Danful Yang – Née à Shanghai en 1980
Fauteuil « Fake », 2007
Bois teint et vernis, feuille d'or, fragments de sacs à main (cuir, vinyle, coton, Ultrasuède, polyester et velours de polyester, chaînes, fermoirs et anneaux en métal chromé, anneaux en métal laqué, laiton)
Édité par XYZ Design, Shanghaï
94,8 x 76,5 x 77,3 cm
Achat, fonds de la Campagne du Musée 1988-1993
Inv. 2009.10.1-2
Photo credit: Danful Yang – Née à Shanghai en 1980
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8.0 x 10.0
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Press kit | 696-03 - Press release | Red Flag,a group of contemporary Chinese artworks from Montreal collections - Montreal Museum of Fine Arts (MMFA) - Event + Exhibition - Seven Frames, 1994<br>Épreuve à la gélatine argentique, 1/6<br>63,5 x 317,5 cm<br>Achat, fonds de la Campagne du Musée 1988-1993 - Photo credit: Ai Weiwei – Né à Beijing en 1957
Seven Frames, 1994
Épreuve à la gélatine argentique, 1/6
63,5 x 317,5 cm
Achat, fonds de la Campagne du Musée 1988-1993
Photo credit: Ai Weiwei – Né à Beijing en 1957
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8.33 x 1.79
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Press kit | 696-03 - Press release | Red Flag,a group of contemporary Chinese artworks from Montreal collections - Montreal Museum of Fine Arts (MMFA) - Event + Exhibition - Tui Bei Tu no 52, 2007<br>Gravure sur bois de fil, collage de plumes<br>360 x ~ 246 cm (feuille, ~ 336 x ~ 220 cm (image)<br>Prêt de la collection Pierre Bourgie - Photo credit: Huan Zhang – Né à Anyang (Chine) en 1965
Tui Bei Tu no 52, 2007
Gravure sur bois de fil, collage de plumes
360 x ~ 246 cm (feuille, ~ 336 x ~ 220 cm (image)
Prêt de la collection Pierre Bourgie
Photo credit: Huan Zhang – Né à Anyang (Chine) en 1965
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6.67 x 9.58
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